This is my second character, so I’ve only played him a couple of times thus far. But I feel like I have a decent grasp on what this character can do.
The Soothsinger is an interesting character, I picked my original retirement objective because of the symbol that was for the soothsinger. It is musical notes, so in most other systems it probably would be considered a bard. In Dungeons and Dragons, a bard is a capable fighter because of their spells, and while I likely could make the Soothsinger into a capable fighter by my card selection, it really shines as a support character.
The main focus of the Soothsinger is a mechanic known as “songs”. These are cards that you put in play and leave in play until you switch the song you are playing. It’s a bonus for your allies most often, though can be a negative to the enemies depending on how you want to play it. I’m only a level four character so I haven’t unlocked the most powerful songs, but there are a lot of interesting cards. Normally I’ve found that I don’t switch the song that I’m playing all that often, because depending on the creatures, certain cards are better than others. For example, in the last combat, we were dealing with a fair amount of poison. Normally I have a card that adds additional damage to an attack out, but because players were getting poisoned each round, I instead I used a song that allowed them to heal 1 point at the start of each round and would remove the poison for them. This kept the damage down because otherwise we might have had characters get exhausted in the scenario. There are other songs that wound opponents when they are attacked, give extra speed or range, and give opponents disadvantage. There are songs that can be swapped in any time really that will help out your allies, and you don’t need to be in the middle of the fray.
Another big thing about the Soothsinger is that they are very fast. They would probably rival the Scoundrel in terms of speed, and that is key. While our Soothsinger and Scoundrel never were in the party together, having the Soothsinger go so quickly means that I can adjust the battlefield for the other players. I have cards that strengthen allies, stun all enemies in a certain range, or even cards that allow my allies to either move or attack. This going out of order allowed us to complete a task one turn earlier than we would be able to otherwise. While that might not have changed the outcome of the scenario, it was very useful. I also hand out a lot of blessings for my allies and curses for my enemies. This means that my allies can deal out a whole lot more damage. And the biggest help I’ve found in these support cards that I can play has been a card that allows me to strengthen my allies. The combination of blessings and strengthen, which gives you advantage, means that you are basically always modifying your damage higher.
Now, having flipped through the cards, it is possible to play a much more aggressive Soothsinger than I am. You’d still use songs, as they give you XP at the start of each round, but you could have a limited number of them and instead focus on your own attacks. There are a number of area affect attack cards that I could slot into my deck without losing much speed, but I would drop a lot of my support ability. However, playing support isn’t for everyone, and it might be that it won’t be for me the whole time I play the Soothsinger. The songs are always going to be a strong component in your deck, but adding in that damage and attacking ability could be fun as well. However, the Soothsinger has low health and not that many cards, so being more in the fray is dangerous. Right now, I think I have two attack cards that do damage in a way different the normal damage you can do no a card. One allows me to do basically a normal attack but then curse the monster and bless an adjacent ally. And I don’t remember what the other one does exactly, because in three scenarios, I’ve used it once. It does a base 1 damage, but I believe that it stuns as well.
The Soothsinger is a very fun character to play. I feel like it is not extremely complex, however. Once you have figured out the right song for a scenario, that song is generally the one that you’re always playing, so you’re trying to piece together cards other wise since the top half of your cards aren’t useful anymore. This, I guess, does add some challenge to the character, though it isn’t all that complex. You just need to figure out the balance of support cards and songs so that you always have something available to do.
Would you want to play a character that is support heavy? When you play other games, have you played a bard of cleric that is focused only on aiding others?
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