Plus with both Doomsday and Spider-Man: Brand New Day (oh yes it is) filming right now there are a lot of rumors around each. And we are getting closer to D23 so new rumors are starting to pop-up for that. We try and go through as many as we can and see which ones we think are real.

Thanks for Listening

I hope that you are enjoying the podcast. If you are, there are a few ways that I always talk about that you can support 10 Minute Marvel. Firstly, please consider sharing it with your friends as word of mouth really is a great way to help more people find the podcast, and personal recommendations are always great. As well as then subscribing or leaving a rating and review. Both of those make the podcast easier to find for people looking for a fun Marvel podcast. You can find the podcast on iTunes, Google Podcast, and Spotify or wherever you get your friendly neighborhood podcasts.

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The Games

Mask of the Pharaoh

Mask of the Pharaoh is an outlier compared to the other games that I have on the list for unboxing. It isn’t a big and epic game. In fact, the box is quite small. But there is one thing that made me want to buy it. And that is that it uses an app. But it isn’t just that it uses an app, but how it uses the app.

Originally a game called Mask of Anubis coming out in 2016, it was picked up by Hasbro as Mask of the Pharaoh. The game uses an app, not as something to assist the game but as a core piece to the game. One person is navigating and looking around a tomb via the app. They give directions to the other players how to set it up. This is just novel for a board game, so I wanted to try it. Chronicles of Crime uses an app in a similar way, and I want to try it as well.

ISS Vanguard

Now onto the bigger games. ISS Vanguard is certainly that. I didn’t get everything you could in wave one, and I’m okay with that. Everything I didn’t get is not as important for game play. I received the core box, the miniatures, which look cool but also not important and the Personnel Files.

ISS Vanguard is an epic space adventure game. That premise is a signal was sent to Eartha and hidden within the DNA of humanity. It is discovered and uncoded. That leads humanity on a mission using and alien ship to find these coordinates. There, well, that is where the game begins.

There is a lot going on in the game. From exploring planets, flying to different solar systems, and unraveling the mystery. I like that you don’t play as a specific character, but as a specific part of the crew. You might be recon or engineering or security, but you get to pick. I also enjoy that you encounter a planet, but you also encounter things as you maintain your ship or upgrade your landing vessels.

Chronicles of Drunagor

Final game getting unboxed is Chronicles of Drunagor. Chronicles of Drunagor didn’t show up as recently, it has been on my shelf for a little bit. But it is one that I’m going to be playing soon for Malts and Meeples. In fact, it should get started next week. I just need your help figuring out who to play. See the section below to vote.

But Chronicles of Drunagor is an epic fantasy game where you build out 3D maps, unlock doors, fight monsters, and level up the characters. Two things stand out to me as really interesting in this game. The first being darkness. The idea of the darkness is that it pushes you forward in the dungeon. As you explore and fight, darkness is filling in behind you. So you can’t take too long, because if you do, it catches you and bad things happen.

And then the character game play. The game uses a cube system for what you are doing. You play with certain powers, which certain color of cubes needed to activate those various powers. For example, I might have a healing power that needs a yellow cube. I can only activate that if there isn’t already a yellow cube on there and I have a yellow cube. So it is a puzzle of when to activate things, when to not, or when to spend a turn to pull back cubes. But when I do that, I lose access to an ability and I pick which. Seems like an amazing puzzle to me.

Picking a Chronicles of Drunagor Character

Like I said, this is the game I’m playing next on Malts and Meeples. There are 12 different classes and 23 different characters. Help me pick two classes.

Upcoming Streams

So, next week, I will not be streaming on Monday. A week off from my Top 100 games because, well, next Monday is Halloween. So I am going to be busy with that. And then probably relaxing or editing podcast after that. But the following Monday, November 7th, at 8:30 PM, join me for a stream of 40 through 31 in my Top 100 Games (of all time) 2022 Edition.

And then of course, on Wednesday, it is diving into the dungeons of the Chronicles of Drunagor. I likely will play the tutorial scenario first to learn the game. So that might be on camera, or I might try and play that myself so I can delve into the bigger campaign with you all. To be determined with that. But 8 PM on Wednesday for that stream.

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Recap

After getting their first level and class by doing the test of the tower, or group joined up to a school to get more training and more access to the tower where they can level up. In the school there were two spies they were supposed to try and find, but it turned out one, Addruss was actually just a spy.

They managed to find both of them but then when Addruss’s cover was blown things went sideways. Since that happened the group has been tasked to try and figure out what is going on with these scarabs that attracts dragons and Addruss. They found his contact Nahzir and stumbled across an Arcane Stalker who was waiting for Nahzir to show back up.

This is the point where they then found the person who was keeping on eye on Nahzir’s apartment who led them down into the tunnel beneath the city that runs oddly enough from the Tower to a bar at the end of town.

The Session

The group decided to follow the person into the tunnel finding a few stops along the way. One was a bathhouse which they took note of, one was between two outhouses near Nahzir’s apartment and one led into the courtyard where they went after going into the tower. But there was another option as to where to go, they could go back into the tower.

What they found there was a way to shortcut into the training level of the tower. That is the level that when you go through it, you end up leaving with a class, or at least that is what it did before. They realized that this maybe wasn’t the best plan as they had to go through everything again. Now, at a higher level with their gear this level of the tower was nowhere near difficult. It was built to be a challenge for level 0 characters and they were level 5.

However, what was interesting, is at the end, they had to drink from one of six chalices again. And these chalices were something that influenced what class they went into. Now, the tower took into consideration what the players want to play, but also added in some randomness. And this time, with the players having levels, it begged the question, did the players remember what they had to drink from before.

One of the tricks of the tower is that you kind of forget what is going on. And that was the case, the players forgot that there had been a a fourth, named Steve, with them the first time. And then there was a question as to how to get past the monster in the last room which had them drinking tea or fighting. Could they have taken this monster in a fight, maybe, but tea was a safer bet.

I think that two of the players did end up drinking from the chalice that they did before, but this time, the chalice only went based off what was in the chalice. It didn’t take into consideration what they had gone into before. So Bokken drank from one that was white and fizzy and ended up getting a level of Paladin. Thrain drank from the same one as the first time, so just got another level of Warlock. Kip, whom hadn’t as a player gone through this process since he joined part way through drank the red smoky one and got a level of Sorcerer. And finally, Barrai drank from a clear and calm one and got a level of Cleric.

They got out of the tower, found themselves in the courtyard, and decided to head back to the school with their new abilities. Also to take a long rest. They find Castillia just waking up in their barracks and Bokken talks with her. He fills her in on some of the details because they’ve always been able to trust her before. So he doesn’t think it’s likely to have changed, and that’s where we ended the session for the night.

Behind the DM’s Screen

They had a couple of options here. Firstly, a bit of investigating would have told them that the person didn’t go into the tower. While the courtyard wasn’t obviously the route that he went, because there were tracks, recent, still leading into the tower, they could have checked it out more.

In the tower, I wasn’t completely sure what I wanted to do. So I decided to do a callback to what had happened the first time. There were opportunities for things to be different. There were rooms they hadn’t seen before they could have gone to. They also could have gone into different areas than before, but they don’t know how to do that yet, or what might be different with skipping the whole first room.

Then, I thought it’d be fun to give them the option to multiclass. Now, I say option, if they picked wrong they were going to multiclass. And three of them did, though Kips player correctly guessed what the two classes were for one of them, so he knew to avoid it.

So it was a weird session, but is it one that you’d want to play in?

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Easiest To Hardest

Fighter

The first two on the list are by far the easiest to rank. Fighter is not a difficult class to play, mainly because it’s the most common thing that we’d know of. We can think of fighters in basically any movie set in a fantasy setting or a medieval era. And the mechanics are pretty simple as well, most of what you will be doing is fighting with your main weapon. Now you can make it more interesting by adding in additional types of weapons or customizing your attack style in a different way, but mechanically it is a pretty straight forward class to play.

Barbarian

Next up is the Barbarian, much like the fighter they are basically all about fighting in their fairly basic way. The fact that they add in the rage, that makes it very slightly more complicated. Same with the natural defense that they have, but neither of those really make it more difficult to play, they just change is up from how most other classes handle your basic fighting. Once you have the concept of rage down, the Barbarian is as easy to play, or maybe even easier, than the fighter.

Rogue

Next up I went with the Rogue. Now, I do think that the Rogue is a slight step up in terms of complexity. But again it is still going to be more of a standard fighting class. The rogue, however, is shiftier and interacts with their adventuring party more in combat than other classes. They like to focus on enemies are already facing off against someone else to get that sneak attack damage. But they can also go and hide to get bonuses and get away from someone they are fighting easier. It if a little more to keep track of, and they aren’t going to be able to tank like a Fighter or a Barbarian can.

Cleric

Our first spell caster is on the list and it’s the Cleric. Mainly because the concept of a cleric is pretty simple to grasp. The cleric is going to be pass out some buffs, but really, they are going to keep the party on their feet. So slinging around healing spells and making sure if someone gets knocked out they can get back up again, that’s going to be the clerics main focus. There are types of clerics who can fight solidly as well, but most clerics will focus on healing.

Paladin

The Paladin is much like the cleric in that they are good at healing. The difference is they are a half-caster class versus a full caster and that means they have access to fewer spells. Adding in the fighting that a cleric can do, it is definitely a step up in complexity, but not that hard. The main thing to know is that Paladins can convert their spell slots into more damage, so there are two types of Paladins. The first is going to be the type that heals and the other is going to be the type that fights, and generally stick to one instead of trying to do both. But once you pick, then it becomes real easy.

Ranger

Next up we have the Ranger. The Ranger is another half-caster class and can be a bit trickier. There is the Beastmaster Ranger who can have an animal companion which gives them more to do. However, for the most part the Ranger will use a few standard spells, like Hunter’s Mark, and a bow and arrow to deal with their enemies. Some of what becomes trickier are their other abilities. The favorite terrain, how do you work that into a campaign or use that meaningfully. Those are the questions for the Ranger player and DM.

Monk

After the Ranger comes the Monk. These two and the next one are all really close in complexity if you ask me. The Monk is another fighting class. Like the Barbarian it has it’s own way to calculate defense. Where the complexity comes in is the chi that the Monk has. Basically it is a way to manipulate attacks and attackers. Some of the disciplines of the monk give you lots of ways to manipulate your chi so you really need to think about how you spend it.

Wizard

Now we are into caster territory, and the second easiest caster is the Wizard, in my opinion. The Wizard could even go higher, but I think that casters tend to be a bit trickier than some of the other classes. Why is it easier than some of the others, how it casts is very simple. Simple use of spell slots and not much else that a Wizard does besides cast. It just depends on what type of caster you want to be.

Bard

The Bard is also a pretty straight forward casting class. Again, like the Wizard it is just spending spell slots. Where it adds is Bardic inspiration. Bardic Inspiration is basically a way to help your party do better. It gives them a die to spend on a check and the Bard has a limited number. As you go, it can even do more depending on the college you went to as a Bard. Not too complex to play but adds in a little more to do, and a Bard can also get into the fray with combat more.

Druid

These last three could have gone in most any order, but I’m placing the Druid as my third most complex. The reason that it’s sitting here is that the Druid can go in two different ways. There are caster druids and there are wild shape druids, basically think shape shifting. While the caster has some wild shape, they will focus on casting. Whereas a wild shape Druid will cast, but the wild shape is a key to a lot of what they do. Definitely adds in complexity with what creatures you can turn into with your wild shape and when you do.

Warlock

Next is the Warlock, I think that the Warlock could be simpler than some of these, except that it’s casting works very differently than other classes. You have fewer spell slots, they are always as the higher level and you get them back on a short rest. Plus they have their pact and different benefits that they get from what. Once you can wade through how the class plays, there are some solid and simple combos out there, mainly with Eldritch Blast you can take advantage of.

Sorcerer

Finally we have the Sorcerer. I put this one as the most complex even though it’s base casting is simple. You spend a spell slot and cast it. The difference is they have meta magic with sorcery points. You can convert spell slots to points and back. And you pick which meta magics you want to use. So there are more choices to consistently make than other classes, in my opinion.

Are Any Too Complex For A Beginner?

To wrap this up, let’s talk about this question, are any of the classes too complex for a first time player? Yes, but it depends on the player. I wouldn’t give someone who is casually interested in Dungeons and Dragons any of the last three classes. The Druid, Warlock and Sorcerer are probably just a bit too much, and I would maybe shy away from the Ranger and the Monk as well.

However, a player who is really excited about Dungeons and Dragons, they can play any class. No class is too hard out of the box for a player to pick up. Some of them are just going to require a little bit more work to learn than others.

Now, I skipped the Wizard, I think the concepts of the Wizard a good for a new player. And I think that they are pretty easy to learn, they just have a lot of choices. For a new player that might be too many choices, or it might be just fine. But I think even a somewhat interested new player will be able to figure it out, leveling up just might take longer.

Which is your favorite class to play? Are there any that you avoid because they are too simple or too complex?

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The Forgotten Realms, also known as the lands of Faerun, is your standard fantasy setting in that it’s a world that’s made for the important people to be epic heroes in the end. The struggle for characters isn’t if they can become a hero, but what sort of hero they are going to become. It’s very much in the realm of a Lord of the Rings or Wheel of Time, where there isn’t a question that they are going to become the heroes of the story or who those heroes are, but the question is how that story will unfold for them becoming a hero.

Now, if you’re reading this and that sounds great, that’s why it’s their main setting. It allows you to be that hero it allows you to play in tropes that you’re going to be very familiar with. People know Lord of the Rings or understand the concepts of that type of story telling because how it’s been integrated into society. And it is also nice because basically anything goes for a story. Just from what has been officially released from Dungeons and Dragons, you have adventures where you can fight dragons, demons, giants, pull a heist, defeat a god, and more. It is made to have something for everyone.

That’s also the weakness of it. It’s very generic because of that. You can’t but in an odd quirk about it if you’re going to have any sort of adventure there. As we get into some of the other worlds you can play in, in Dungeons and Dragons, you’ll find that they are more tailored for a specific style of game. Because this is more generic, it’s more versatile, but it’s always going to feel a little bit plain. I would refer to The Forgotten Realms as D&D’s starter world. It’s a good thing for that, but for people who have been steeped in fantasy for a long time, or in RPG’s for a long time, it’s going to feel a little bit too vanilla.

Let’s talk a little bit about what The Forgotten Realms has for people to explore. Again it’s fairly standard as well, you have a handful of nations, but then city states and towns scattered across the realm. Unlike a Star Wars planet, there is a diverse ecosystem that you can play your games in, again, giving you that massive variety of locations so that the world can support whatever type of game you want to play in it. A lot of the adventures are at least going to start from the Sword Coast and the main city there is going to be Waterdeep. Waterdeep does offer you some interesting things, basically masked lords who are running the city, but keeping their identities secret (or most are). If you want to play a more political and smaller game without characters wandering through the world, Waterdeep is where you’re likely going to set the game.

There are more things to talk about as we look at races and classes. Though, this is going to be fairly boring, again. Dungeons and Dragons Fifth Edition is set in The Forgotten Realms, that means that all the races and classes from the players handbook are going to work just fine in your game. If you want to play something more unique, there are options for those in some of the expanded content for the game, but you’re mainly going to see your standard races and standard classes in there. This, again, is going to be good for that starter setting for players who know some about fantasy but aren’t ready to jump into a fantasy where tropes don’t hold up and expectations are being subverted.

And, finally, just to talk about magic and the gods of this world. This is a pretty high magic world. While I’m going to get to worlds that have more magic, being a caster isn’t something that would be all that surprising. Especially with how the gods interact with the world. They are very much a part of it, and for that reason you have Clerics and Paladins who are going to be casting divine magic that you could see around the lands. There are Wizarding schools and plenty of beings who will be happy to make a pact with you. Again, it feels somewhat basic with their magic and gods. They want it to be normal so that players don’t have to feel like they need to play the outcast character if they are playing someone who is all about proselytizing or if they have magic.

So, to wrap up, The Forgotten Realms are a great starter location. It’s going to be a little bit bland, but it’s going to be familiar to even people who don’t know a ton about fantasy, because this is standard fantasy and parts of the world are even standard writing/story. Would I play a game in the Forgotten Realms, sure I would, though, I’d try to push it weirder than the setting would normally go to create a sort of unique feel to the game that makes it feel different than Lord of the Rings and Wheel of Time.

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In the Players Handbook, Monster Manual, and Dungeon Master’s Guide, there is one primary way that the game is built for you getting experience, and that’s through combat encounters (and encounters of other types), but in combat, each monster has a certain number of experience points that they give you to divide between the party. This is the standard way, then comparing your total experience to that of the level chart, when you hit a certain amount of experience you go up a level.

While this is the classic method, I’m not a huge fan of it. First, it adds to me doing more math as the Dungeon Master when building an encounter and as players then when dividing up and adding in experience. Now, it doesn’t have to be difficult math, but if someone misses a session, does their character still get experience for it? If they don’t, that causes even more of a mess because now characters will not in sync level wise and since the game tends to be more combat focused when you are using encounter/combat based experience, that means that a character might be lagging behind with that. On the other hand, this is the classic way to do it, and for video game players, it’s how almost all RPG’s work there, so it is something that they might enjoy.

My preferred method of leveling up and experience is to actually not track experience and go with something called, event or milestone leveling. When you hit a certain point in your characters story or in the over-arching story, you get to level up. The advantages of this come from leveling up in those moments where the story becomes more epic, you become more epic with it. You also don’t need to track everything and keep count of kills and what was killed, instead it levels you at proper thematic points. The downside is that if there is a point in the game where you are grinding through a dungeon and things aren’t changing, there might not be that character milestone or story event launches you to the next level. Instead you are stuck at a lower level for a while, while you’re waiting to go up and take off into a new ability for your character. That’s something, as a Dungeon Master, when using this method, that you need to be aware of, not to let the levels sit too long and instead focus on creating those epic moments every few sessions.

But, a friend, introduced me to an interesting idea from a video he’d watched on Professor Dungeon Master Youtube Channel. This concept is that you get a few points that you are tracking for experience, if things go really well in a session, you get 3 XP or maybe 4 XP. If things go awry, you get 1 XP, if it’s just okay 2 XP. And when you hit 10 XP, you “level up”. But, instead of just getting the level up, you need to do something in game or in downtime between sessions to get your character leveled up. This could be a little mini quest, such as a paladin destroying a cults temple and building up one to their god, Professor Dungeon Master’s example, or it could be something that is more tied into the main quests of the campaign. So you’re tracking experience, but at a limited level. And then to actually gain that level, you need that epic quest/story moment for your character so that they have a reason to gain new skills.

Now, I think that is an interesting option that I’m going to want to try at some point in time. What’s interesting about it to me is that it gives the players something to track in terms of experience points, they can see how close they are getting to leveling up at the end of a session, but they and I don’t need to do a lot of math and figuring for the game. It’s just adding together single digit numbers until you hit 10, and then you start again. I also like, and this is something that’s bugged me with Dungeons and Dragons leveling, is that you could, theoretically, just because of a random encounter on a travel somewhere level up, and now the Wizard knows more spells, the fighter is better with their sword, and the Druid can change into more animals. So, while it can delay leveling a little bit, I like how a character needs to complete some sort of quest or mission for that character or the story overall. So we’ve talked about a Paladin, but a Druid planting a small grove and getting that started in an area, that could give you a level up, a fighter going and defeating some low life thug on their own to stop them from going after other people, that’s something that would work as well. But I think it gives a chance for players and the DM to be more creative in storytelling, and you can decide how much you want to spend in game on this, but you could also go between sessions as well for leveling up.

If you’re playing, do you have a preferred method? I don’t think that any of them are bad, I just don’t want to do the math, so I haven’t done the more combat focused gaining for experience. Would you try out another method other than your preferred one? Let me know in the comments below.

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Quick refresher, high magic means that magic is common and is used for common tasks or that towns will often have a healer or someone who can cast some spells. When people see you cast a spell they won’t want to either worship you or burn you as a witch. Low magic means that magic is rare. If you can do magic, you might be revered or you might be seen as an abomination that should be killed.

Now that that’s out of the way, let’s talk about how it can affect how you role play in a game.

I think if you’re a magic user in a high magic world, you aren’t going to be set apart at a lower level. A spell like mend or cure wounds, your small towns are probably going to have someone who can do those things. People are just going to see that as normal and it won’t be until you start casting higher level spells that you’ll be considered special. In game, I would use that a motivation for a character, you want to be the best smartest wizard, most powerful sorcerer, or devout cleric. It gives a reason for a character to go off adventuring from their small town where they might be able to live a good life, but they want more because they’ve heard of that powerful and revered wizard who now consults for nations and can travel to other planes of existence, you want to be like that. Or maybe you have a rival who is just slightly better than you.

You can also, since magic is common, take some role playing queues from maybe you are just common and not needed in your town. You can almost be kicked out to go find a small town where your skills are needed or maybe you’re just not as good yet, as the person in town, so they want you to take over as being the towns healer, but they send you away to get more experience first. So instead of leaving to make a name, you might be leaving to adventure so that you can come back home. I like this one because it can give you a nice hook for adventuring and gives the DM something to play with.

Let’s look at the flip side of this, what if there is very little magic in the world, how do you role play that?

Firstly, there’s always getting kicked out of your town because you’re a witch or needing to flee, especially if it isn’t a holy magic. So any class that isn’t Cleric or Paladin could be seen as being some sort of abomination. And if you’re a Warlock, maybe your pact actually is with a demon. But, how can you use that to role play. You might be out to prove that you are in fact great. Or prove that your town should have kept you around because some day they might need you. This is a very chaotic and potentially neutral or even possible for an evil character. And, again I like it for a hook as a DM, at some point in time, when you have the power to stop something to happening, I’d force you to make a decision, do you go back to your home town to save them or do you let them burn because they kicked you out? If you still have family there, did they kick you out or was it the town, do you need to still save them?

Or, on the other hand, you might be almost revered. Does that make your character pompous because they can do something else that others can’t and everyone loves them for it? Will they hold that over everyone? I can see a couple of backstory hooks, one where the town sends out the person to save them from some impending doom because you are the best person for it in the town and you must be able to save them because you have magic. But what happens if you can’t? The other would be if you’re playing more a pompous character, are you going to go out and make a name for yourself because the town you’re from is too small? If someone did that, I would then definitely have something happen to the town that you could have stopped, and how does that affect the character? Is it an acceptable loss for their fame or do they feel guilt over something having happened?

There are a ton of hooks you can choose to play around with for both low and high magic worlds and playing a spell caster in them. I didn’t even get into how it might affect party dynamics, but that’s something you’d probably need to role play out with your own adventuring group. Do any of the hooks I’ve presented interest you? Have you played a character like any of those before?

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Since Dungeons and Dragons is a fantasy setting, you have magic in the same, I don’t think that’s a surprise to anyone. How much magic you have to vary a lot. Some worlds in D&D have a ton of magic with lots of people being able to use small spells and little things, like curing a small wound are going to be magically done or lighting a fire, magic might be faster. There are going to be other fantasy worlds where magic is extremely rare. If you have magic, you have way more value to the nations because of what you can do. In either of them, the PC’s (Player characters) who have magic are going to end up being more powerful than most other casters, because, otherwise, those characters would be saving the world, and you’d still be a farmer.

But within magic, there are a number of different ways that you can get magic or use magic. Which, mechanically speaking, are represented by the different classes you can be. A Cleric and Paladin get their magic from their gods whereas a Druid gets it through nature, a Sorcerer just has it, and a Wizard needs to learn it. That doesn’t even touch on the bard who signs theirs (but just kind of have it) and the Warlock who has made a deal for it. If you know you want to be a magic user, picking your class can help determine what sort of background you have because of how you got the magic.

Bard – This magical mischief maker generally gets their spells from their ability to weave word or song in such a way to alter the world around them either for attack or entertainment. A bard is generally going to be someone who has been trained, but not to improve their magic, but their performance ability. I think that the bard is a class that can be generally used for most backstories.

Cleric – The first of our magical classes that gets their magic from the divine. The god that they are worshiping is giving them the powers and has chosen them as special. In particular, they are giving them powers to help people, and while combat might not be their strong point, but healing and aiding other characters is what that character is going to be the best at. With a cleric, your backstory can be anything but you might want to focus more on a religious background and have it something you’ve been a part of for a while, not something that you just picked up.

Druid – The hippy of the magical classes, the druid is all about nature and their attunement to nature. In some ways, I would say that a Druid is a bit like the Cleric in that they get their magic from the divine, but for the Druid their divine is their connection to nature. The Druid is going to be the caster who has the most connections to nature and natural changes in the world. The outlander or hermit backgrounds actually make a lot of sense for a background for the Druid, because you need that strong connection with nature that makes most sense to be gotten on your own. The trick can be connecting back into the group.

Paladin – Our second divine caster, the Paladin is what is know as a half-caster. What that means is that they have a more limited spell selection and a smaller number of spell slots with which to cast spells. What the Paladin does get is some of the healing abilities of the Cleric but much better punching power with their ability to handle weapons. They also get the ability to channel their divine magic into even more damage, at the cost of casting spells, but I still feel like it’s a spell like affect and is part of their magic. For a Paladin, your background can be much more open, because while they do have that divine magic from a god, their devotion to their religion is less strictly guided like a Cleric’s feels, though, they do need to maintain that collection.

Ranger – Another and last half caster, the Ranger pulls a little bit like the Paladin does from the Cleric, but for the Ranger it’s from the Druid. They get some of the connections to nature that the Druid has, but also then gets more focus in their magic for hunting down their enemies. Unlike the Paladin who has extra abilities they can do with their magic, the Ranger is more focused on just using their spells as spells. Their background is generally going to be fairly open, being a scout in the military or being a hermit all make sense, and even some of the more scholarly ones can make sense.

Sorcerer – The natural of the magic world, the bard might just use music, but the Sorcerer just gets magic. And they get amazing control over their magic. The Sorcerer is an interesting class in that they get things called meta-magics and meta-magic points that they can use to improve their spells. This might mean that they can cast them farther or do so silently so it can’t be countered. This allows a player to specialize their character so that their Sorcerer feels different from others. The Sorcerer definitely can come from any sort of background since their magic can be something that just newly manifested. It’s the magic class that you do if you don’t want to be beholden to anyone or anything.

Warlock – If the Sorcerer isn’t beholden to anyone or anything, the Warlock 100% is. They’ve made a pact with some powerful being, fey, elder god, or demon that is giving them their powers. And the Warlocks magic works differently than everyone else’s. They aren’t a half caster, but they aren’t really a full caster. They get invocations that can really make their cantrips much better so they don’t need as many high level spells, which is good, because they don’t get many spell slots. But when they cast a spell it’s always at the highest spot possible. I don’t know that they are that much harder to play than other casters, but how they work makes less sense. They, because they can have just gotten their magic, do have it in common with the Sorcerer that most any background works.

Wizard – Final one and definitely the most iconic. The Wizard has learned magic. You could say that Bard might be considered a bit of that if you consider them learning their craft of storytelling and performance, but for a Wizard, there are Wizard schools and you study and you need a spellbook to be able to prepare spells for the day. But, as a Wizard, you have access to more spells than any other class. Their specializations also makes it easier for them to learn more spells in certain areas, and while other classes can be capped on how spells they know, a Wizard can always add in more spells if they have the time and money to transcribe them into their spell book. A wizard, the Sage background makes the most sense because they’ve spent at least some of their life in school, but that might not be the defining feature for them.

That’s a lot just looking at the classes and how they use magic, I’m going to spend some time coming up here going into more topics on magic such as spell slots and spells known or high or low magic worlds that I touched on that the top of the article. Some of them will be more player focused and others more dungeon master focused. Is there a certain type of caster that you gravitate to?

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Almost forgot to share this, it was a rush, but I go through nine different level 1 characters for Dungeons and Dragons. I was hoping that I could knock them out fast, but it took a little bit, but I got them done. And I demonstrated how you can use D&D Beyond to create your characters as well.

These will be a characters that I’m going to be using in a one shot. So I created a good variety of characters. I had a question asked that I missed last night, but basically, I didn’t go with two personality traits because I wanted to keep the characters more generic for a one shot.

The beer last night was from Indeed Brewery. Mexican Honey Light Lager. It’s a good beer and a nice light one. Not the best winter beer, but I wasn’t feeling a big and heavy beer last night.

Bottoms up!

LEEEEEEROOOOOOOOOY JENKINS!

The barbarian has now rushed the evil wizard. There is one way that this is going to end, with a TPK (Total Party Kill).

What do you do?

Now, there are plenty of ways that this can happen. The one that I gave above is actually one of the trickier situations because one player, the barbarian, has decided that the party is going to fight. And since it is D&D and the party will generally stick together, that probably means that you aren’t going to have them run away from the fight when the fight gets tough.

Before we talk more about what we do, let’s talk about a few other situations where a TPK might happen. The most likely situation is the final boss fight. It can go one of two ways, either the BBEG kills off all the player characters (PCs) or the PCs kill the BBEG. Another way that it can happen is that the players knowingly start a battle that is over their level. In the first example, if the whole party had planned to fight the wizard, that is the parties choice, and you can leave that choice for a likely TPK in the players hands. And finally, the players might be rolling poorly, and you might be rolling hot.

Let’s talk quickly about two of the examples I gave. With the BBEG or when the players know they are fighting above their level, those the players have chosen. It’s known that with the BBEG, the campaign either ends with their success or their failure, there isn’t going to be a next session, at least with the game world the way it is now. And if the players are fighting the wizard, for example, as a group decision, they know that they might not make it, or they should. So in both of these cases, you just play out the game, and you let the dice lie as they have been rolled. And you can get some epic stories of sacrifice or of triumph coming out of these scenarios, but either way the players are going to remember it.

Now, what happens in the case where you are rolling hot, or the player stumble across a conflict that is too dangerous for them, but they don’t know that. You’re in the situation as the DM where you have a few things that you can do.

First, you can pull your punches, if you want. There are two ways that you can do this, you could, for example, limit the power of a wizard. Maybe, in the example at the top, the wizard has already cast her high level spells for today, so she’ll be a challenge, but not as deadly for the player. And maybe, even the she’s down a few hit points. So this challenge that was clearly too strong for them is now going to be at their level. You can also pull your punches with your die rolling and strategy. If you don’t play optimally, and maybe turn a few more hits into misses or saves into fails, now the players are able to take on a higher challenge than they should be without the TPK happening. But this is a flawed solution, because it doesn’t teach the players that there are consequences for their actions. They are now always going to assume that they can fight anything. And, in fact, with new players who have mainly played computer RPG’s that strongly scale monster level, they are going to assume that in the first place.

Second option is that you can just TPK them. Or try to TPK them, make it clear that it’s so bad that they are probably going to need to run away. In the wizard example, have her target and take down the Barbarian. It’ll give the players a revenge story if they want, and hopefully it’ll remind the other players to just run away before they meet the same fate. And if the wizard takes down the barbarian quickly, you can make the reason that she doesn’t hunt down the rest of the PCs quickly is that they aren’t worth her time. So maybe pull your punches a little bit, just have her disintegrate the barbarian instead of dropping the fireball at 7th level on the whole party. This option, can work better, but is clearly harsh. You might end up in the situation where the players ignore all the road blocks and warning signs and still try it, and now you’ve potentially ended your campaign early if you do end up with the TPK.

So, is there a better option, is there something that you can combo together to make it work instead of a TPK?

I haven’t ever TPK’ed a party, but I have, on multiple occasions knocked them out. When they get into a fight above their level, you can just knock them out and take them captive, it might derail your story for a little bit, but it might be better than a TPK. Just come up with a reason that the bad guy is going to knock them out. This doesn’t work well if you come across a pack of ten wolves and the players are second level, but a pack of goblins, sure, they might not kill the players because they want to turn them into a stew later and everyone but the dwarf is too skinny. But, this can’t be the solution for every situation. Like I said, sometimes the creatures wouldn’t have a reason or the mental capability to think about just knocking out or down the players.

There’s also an option for divine or NPC intervention. With divine intervention, it can work in a couple of different ways. If you have a PC who is a Paladin/Cleric or deeply devoted to some deity, you can have their deity intervene. You can also have a deity intervene by making a deal, almost a warlock style pact with a PC. There’s also the option of just a stronger hero or NPC coming along and saving the players. Both of these should still be used sparingly because if you use them too often, again the players feel like they can just go in and fight anything and they’ll be fine if things start getting hairy. Or, you run into a situation where the players start to feel like you’re setting them up to fail just so you can have your NPC have the hero moment. Either case is less than ideal, so use it sparingly.

Finally, I do like the option of killing a PC. Again, this is used sparingly, because you don’t want the whole party to be new every few months because you keep on killing PC’s when they make poor decisions. But have the monster or villain they are fighting kill off one of them. If it’s a villain, they can kill one of them, and then get bored and leave because the party isn’t strong enough to entertain them. Or, if it’s more of a monster, like a pack of wolves, when the wolves get one of the PC’s down, let the wolves start eating that PC, definitely killing them, but that will then either allow the players to escape, or you can give them advantage on their attacks to finish off the wolves because the wolves are distracted. That one is definitely a bit grizzly (well, wolfy) but it would set the tone for the players that they aren’t safe.

With all of this, I think that you need to set the expectations up front. You need to tell the players that in your game, there are going to be things that might be too dangerous for them to fight and that they might need to run. And possibly remind them once in a while of that, because it’s likely that they are going to forget. And, really, sometimes, a TPK might just happen, if the players know what they are getting into, that’s fine. In the wizard example, if they all make the decision to try and fight, let them fight, don’t take that away from them, but maybe leave them nearly dead and trapped in a prison in that case.

Have you accidentally had a TPK? How do you do combat, is everything scaled to the PC’s level?

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